The Belcourt Theatre does not provide advisories about subject matter or potential triggering content, as sensitivities vary from person to person.īeyond the synopses, trailers and review links on our website, other sources of information about content and age-appropriateness for specific films can be found on Common Sense Media, IMDband as well as through general internet searches. In short, THE VELVET UNDERGROUND is a documentary that meets the Velvet Underground eye-to-eye and enriches it.” - Finnuala Halligan, Screen Daily
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The film features in-depth interviews with the key players of that time, combined with a treasure trove of never-before-seen performances and a rich collection of recordings, Warhol films, and other experimental art - creating an immersive experience into what founding member John Cale describes as the band’s creative ethos: “how to be elegant and how to be brutal.” “Haynes, the uncommonly sensitive and provocative director of CAROL, I’M NOT THERE and FAR FROM HEAVEN, among others, isn’t here to give us a blow-by-blow account of the New York band that was adopted by Andy Warhol’s Factory scene.THE VELVET UNDERGROUND is an exemplary doc, doing a virtuoso job of weaving archival footage, still photos and talking heads into a freewheeling trip through the band’s world.” - Steve Pond, The Wrap “Haynes deals with the band on the level they wanted (as musical poets, innovators and influencers) with admiration, but not uncritical reverence….
Directed by acclaimed filmmaker Todd Haynes, THE VELVET UNDERGROUND shows just how the group became a cultural touchstone representing a range of contradictions - the band is both of their time, yet timeless literary yet realistic rooted in high art and street culture. The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock ’n’ roll’s most revered bands. The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock ’n’ roll’s most revered bands. They were too hippy, she says: nothing ever changed because someone put flowers in their hair.All screenings: Video introduction from NPR music critic and correspondent Ann Powers There’s an enjoyably grouchy moment when Moe Tucker says they hated Frank Zappa and the Mothers of Invention. And commercial success had nothing to do with their influence and impact. The energy between Reed and Cale was often destructive, but productive. He raises some interesting questions about how culture works. We’re too cosy, he told The Guardian recently. He thinks we’ve lost the “spirit of revolt” that produced such a band. Haynes is interested in the heady madness of these times in New York. It’s pretty clear they didn’t help, but there were many contributing factors, lack of success being one. Reed eventually fired Cale, but he sent the guitarist Sterling Morrison to do it. It was released on October 15, 2021, by Apple TV+, to critical acclaim. 3 It had its world premiere at the Cannes Film Festival on July 7, 2021. T he filmmaker, whose previous movies include Carol, Far. While more accessible to those in the know, it’s still hypnotic enough to be inviting. To some extent, the VU followed the trajectories of rock ‘n’ roll cliche – a meteoric rise followed by an equally meteoric fall, fuelled by drugs and personality clashes. The Velvet Underground (film) The Velvet Underground is a 2021 American documentary film directed and produced by Todd Haynes that chronicles the life and times of the rock band the Velvet Underground. Director Todd Haynes has said his documentary about The Velvet Underground would be a different film if Lou Reed were still alive. Torn between the avant-garde and the traditional, Todd Haynes’ The Velvet Underground is an intentionally fragmented documentary that’s less about facts, and more about the feeling of being alive in a specific time and place. Maureen “Moe” Tucker joined when the original drummer refused on principle to turn up on time (which sounds like a drummer joke, but isn’t). After a formal musical education at Goldsmiths, University of London, he went to New York on a scholarship, where he worked with La Monte Young, who was experimenting with drone lines and advanced harmonics. Cale brought avant garde music theory to their sound, but with a taste for rock ‘n’ roll. Principal is the Welsh musician John Cale who co-founded the group with Lou Reed in 1964, when they were called the Primitives (and they were). And the interviews are largely confined to people who were there, rather than those who weren’t but still have an opinion. He slams all this together in split screen montages that stimulate the connections, like electrodes into the brain. Haynes has assembled lots of good material – old Warhol films of the extended circus, when they were house band at Warhol’s Factory hundreds of superb photographs, posters, playbills, lyric sheets and ephemera.
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